Junghyun
Koo

Profile

Junghyun (Tony) Koo is a research scientist on the AI for Creators team at Sony AI. He received his Ph.D. from Seoul National University in South Korea, with a dissertation focused on applying deep neural networks for style transfer of audio effects, particularly in music post-production tasks such as mixing and mastering. During his Ph.D., Tony gained industry experience through research internships at Mitsubishi Electric Research Laboratories (MERL), Sony Tokyo R&D Center, and Supertone. He holds a Bachelor of Science in Information and Communication Engineering from Inha University in South Korea.

Message

My focus is on developing controllable technologies that simplify music production processes. I’m passionate about creating tools that remove the technical barriers in music production, allowing creators to express their creativity.

Publications

VRVQ: Variable Bitrate Residual Vector Quantization for Audio Compression

ICASSP, 2025
Yunkee Chae, Woosung Choi, Yuhta Takida, Junghyun Koo*, Yukara Ikemiya, Zhi Zhong*, Kin Wai Cheuk, Marco A. Martínez-Ramírez, Kyogu Lee*, Wei-Hsiang Liao, Yuki Mitsufuji

Recent state-of-the-art neural audio compression models have progressively adopted residual vector quantization (RVQ). Despite this success, these models employ a fixed number of codebooks per frame, which can be suboptimal in terms of rate-distortion tradeoff, particularly …

Latent Diffusion Bridges for Unsupervised Musical Audio Timbre Transfer

ICASSP, 2025
Michele Mancusi, Yurii Halychanskyi, Kin Wai Cheuk, Eloi Moliner, Chieh-Hsin Lai, Stefan Uhlich*, Junghyun Koo*, Marco A. Martínez-Ramírez, Wei-Hsiang Liao, Giorgio Fabbro*, Yuki Mitsufuji

Music timbre transfer is a challenging task that involves modifying the timbral characteristics of an audio signal while preserving its melodic structure. In this paper, we propose a novel method based on dual diffusion bridges, trained using the CocoChorales Dataset, which …

VRVQ: Variable Bitrate Residual Vector Quantization for Audio Compression

NeurIPS, 2025
Yunkee Chae, Woosung Choi, Yuhta Takida, Junghyun Koo*, Yukara Ikemiya, Zhi Zhong*, Kin Wai Cheuk, Marco A. Martínez-Ramírez, Kyogu Lee*, Wei-Hsiang Liao, Yuki Mitsufuji

Recent state-of-the-art neural audio compression models have progressively adopted residual vector quantization (RVQ). Despite this success, these models employ a fixed number of codebooks per frame, which can be suboptimal in terms of rate-distortion tradeoff, particularly …

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